8 Mar 2019

Presstitutes Turn Blind Eye To UN Report On Venezuela

Washington and the Convict Appointed to Overthrow Venezuela Continue the Lies
By Dr. Paul Craig Roberts: Don’t you think something is fishy when the presstitutes orchestrate a fake news “humanitarian crisis” in Venezuela, but totally ignore the real humanitarian crises in Yemen and Gaza?  
Don’t you think something is really very rotten when the expert, Alfred Maurice de Zayas,  sent by the UN to Venezuela to evaluate the situation finds no interest by any Western media or any Western government in his report?
Don’t you think it is a bit much for Washington to steal $21 billion of Venezuela’s money, impose sanctions in an effort to destabilize the country and to drive the Venezuelan government to its knees, blame Venezuelan socialism (essentially nationalization of the oil company) for bringing “starvation to the people,” and offer a measly $21 million in “humanitarian aid.”
As the United States is completely devoid of any print or TV media, it falls upon internet media such as this website to perform the missing function of honest journalism.

The Experiment

How much longer will the middle class politely tolerate its own destruction?
Authored by Robert Gore: A middle class that outnumbers the combined poor and aristocracy is a relatively new phenomenon, dating back to around 1900. The rise of the middle class was the result of Industrial Revolution capitalism. It has been one of the most significant and epochal developments in history, yet the intellectual reaction for the most part has been to either ignore it or treat it with disdain. Now the project to destroy the middle class is well under way, with unpredictable and uncontrollable consequences that promise to be just as epochal as its creation.
Intellectual condescension towards the middle class is so common it’s a cliché. What’s rare are attempts to go back in history and see things through the perspectives of that despised group and its progenitors, the poor.

Women Bishops Condemn Pipe Organ As Instrument Of ‘Toxic Masculinity’ On International Women’s Day

By : An unholy row between feminists and organists in the Church of England is brewing after a conference of women bishops issued a pastoral letter calling for a ban on pipe organs in churches and cathedrals.
The liturgical conference on “Toxic Masculinity in the Song of Solomon and the Songs of the Church,” organised to celebrate International Women’s Day and the 25th Anniversary of the Ordination of Women to the Priesthood, condemned the pipe organ as “an instrument of toxic masculinity.”
Rachel Weaktree, Bishop of Glucoseter, told the conference how she was inspired to gather her fellow female bishops to discuss misogyny and music after reading feminist musicologist Susan McClary. Weaktree’s keynote address, entitled “Da-da-da-DUM; da-da-da-DUM: Patriarchal Phallic Thrusting in the Opening Notes of Beethoven’s Fifth Symphony,” explored toxic masculinity in Beethoven.
“We’ve always thought of Beethoven’s Ninth Symphony as a joyous outburst of human solidarity. We have a hymn tune from the symphony’s Ode to Joy.

Dual Loyalty As Racism

Gilad Atzmon: How reassuring is it that the only American who upholds the core values of liberty, patriotism and freedom is a black muslim and an immigrant…
By Eve Mykytyn: The US House of Representatives just passed a resolution that declared, “whether from the political right, center, or left, bigotry, discrimination, oppression, racism, and imputations of dual loyalty threaten American democracy and have no place in American political discourse.”  The key words in this resolution are “dual loyalty” which make clear that this otherwise banal condemnation of racism was made in direct response to Representative Ilhan Omar’s controversial statement: "I want to talk about the political influence in this country that says that it is OK for people to push for allegiance to a foreign country."
Apparently, the House resolution was a disappointment to some. The New York Times reports that this ‘all-inclusive’ approach was criticized for not “solely condemn[ing]  anti-Semitism.”

Remedy

TUBBY BOY, produced by CrateZ, Visuals by Jimmy Chiba