By Post-gynocentric attitudes are entertained by an increasing number of people, and by groups like those focused on Men’s Human Rights Advocacy (MHRAs), and Men Going Their Own Way
(MGTOW). While they all demonstrate a reaction against gynocentric
culture, it’s an error to conceptualize them as engaging in
countercultural activity alone.
It should be noted that countercultural involvement is not always
conscious and may be an unintended byproduct of committments that clash
with the dominant culture. There are few examples of this better than
Men Going Their Own Way. They demonstrate a new model for culture, and
comprise a peaceful subcultural demographic that is at once
countercultural, simply by going about their lives within the larger
society.
Before we get to what ‘going about their lives’ means, let’s first make a few distinctions.
To clarify the distinction between subculture and counterculture, the following passages from Howard P. Chudacoff’s book ‘The Age of the Bachelor’ are instructive. Chudacoff asks if the values, behaviors and institutions typical of bachelors comprise a subculture — in other words, a subset of the general culture — or whether they are part of a counterculture that openly conflicts with the general culture. He begins by defining the difference between subculture and counterculture:
The confluence should hardly be surprising. The Man Going His Own Way usually works, pays taxes, goes to school, socializes with friends, generally obeys laws and is indistinguishable on the surface from his cultural and subcultural counterparts.
However, his personal rejection of marriage, sex based chivalry or treating what relationships he has with women as a financial obligation – as well as his steadfast refusal of sex-based expectations on his values and actions — are all practiced in rejection and defiance of the culture at large. He is, through his personal choice, participating in counterculture, and as such is furthering advocacy by example of lifestyle and consciousness that is “deliberately opposed to certain aspects of the larger culture,” per Yinger.
The charge that post-gynocentric culture (including MGTOW and the MHRM) is merely a reaction to feminism can be dismissed. Post-gynocentric culture can’t be reduced to antifeminism any more than the black civil rights movement can be reduced to being anti-white, or the gay rights movement being reduced to anti-heterosexuality.
These are grossly oversimplified rationalizations — more symptomatic of cultural prejudice and backlash than credible explanations for the counterculture’s existence. It may, however, be said that the drumbeat of reductionism characterized by these misperceptions adds momentum to counterculture’s popularity.
Sources:
Howard P. Chudacoff, The Age of The Bachelor: Creating an American Subculture.
Peter Wright, Gynocentrism and its Cultural Origins
Peter Wright, A Voice for Choice
Paul Elam, What feminism is really about and why anyone who values freedom should fight against it
Paul Elam, Counterculture
Dean Esmay, Breaking the pendulum: Tradcons vs. Feminists
Dean Esmay and Paul Elam, On the MHRM, MGTOW, and Creating a Counter-Culture
August Løvenskiolds, Freedom from gynocentrism in 12 Steps
Source
It should be noted that countercultural involvement is not always
conscious and may be an unintended byproduct of committments that clash
with the dominant culture. There are few examples of this better than
Men Going Their Own Way. They demonstrate a new model for culture, and
comprise a peaceful subcultural demographic that is at once
countercultural, simply by going about their lives within the larger
society.Before we get to what ‘going about their lives’ means, let’s first make a few distinctions.
To clarify the distinction between subculture and counterculture, the following passages from Howard P. Chudacoff’s book ‘The Age of the Bachelor’ are instructive. Chudacoff asks if the values, behaviors and institutions typical of bachelors comprise a subculture — in other words, a subset of the general culture — or whether they are part of a counterculture that openly conflicts with the general culture. He begins by defining the difference between subculture and counterculture:
“A subculture exists as a reasonably benign component of a more general culture. The defining characteristics of a subculture may include such qualities as age, ethnicity, region or occupation. The elderly, the Irish, southerner’s, and carpenters are all subcultures. As well, a subculture may consist of people tied to each other by mutual special interests, such as bird watching, gun ownership or vegetarianism. According to one authority, the most important element in distinguishing a subculture is the degree to which values, artifacts and identities are shared among members. Such sharing is normally enhanced by the extent of conscious social separation between members of the smaller behavioral group and members of the larger society. Thus hair color can characterize a group but in itself is not a strong enough criterion for special separation — though certain cohorts of redheads or blonds might disagree. Youth or an interest in bird watching, by contrast, more likely would be sufficient qualities to create a subculture.The title of this article asks whether the MHRM, and the wider post-gynocentric culture is better defined as a counterculture, or subculture? After reading the definitions above, the answer is unmistakably Both. Post-gynocentric culture defines itself in resistance to gynocentric culture and operates as a peaceful subculture based on human rights, equality, and greater freedom of choice than the larger culture currently prescribes – meta-ideological commitments that will, if we have our way, become principles of the culture at large.
In an article published in 1960, J. Milton Yinger, a sociologist and leading authority on subcultures, separated the distinguishing characteristics of subcultures into four types: (1) aspects of life, such as religion, language, diet, or moral values; (2) duration over a period of time; (3) a common origin; and (4) a mode of relationship –indifferent, positive, or conflictual– with the surrounding larger culture. Yinger also distinguished between two types of subcultures: (1) those groups characterized by ascriptive qualities that differentiate the group from the larger society, qualities such as language and religion; and (2) those groups with norms that arise specifically from tension or conflict between that group and the larger society, separate norms common to groups such as youth gangs or homosexuals. He dubbed the second type “contra cultures” which he notes could develop a series of inverse or counter values that stand in opposition to those of the larger society. The term “contra culture” evolved into “counterculture” in the 1960s.
“According to Yinger, practically every person is born into a culture and is automatically a member of several subcultures, but an individual must actively and voluntarily join a counterculture. Moreover, conflict constitutes an essential element in the concept of counterculture, and such conflict differentiates a counterculture from a subculture. As sociologist William Zellner has written, “A subculture is part of the dominant culture, but some aspects of the subculture’s value system and life-style sets its members apart from the marger culture…” That is, a subculture normally does not pose a threat to the dominant culture. A counterculture, on the other hand, “is deliberately opposed to certain aspects of the larger culture.” Yinger has added that to understand a subculture, it is not necessary to understand its interaction with the larger society. But a counterculture’s identities a product of such interaction and can be understood only through that relationship. [Chudacoff, pp.12-14]
The confluence should hardly be surprising. The Man Going His Own Way usually works, pays taxes, goes to school, socializes with friends, generally obeys laws and is indistinguishable on the surface from his cultural and subcultural counterparts.
However, his personal rejection of marriage, sex based chivalry or treating what relationships he has with women as a financial obligation – as well as his steadfast refusal of sex-based expectations on his values and actions — are all practiced in rejection and defiance of the culture at large. He is, through his personal choice, participating in counterculture, and as such is furthering advocacy by example of lifestyle and consciousness that is “deliberately opposed to certain aspects of the larger culture,” per Yinger.
The charge that post-gynocentric culture (including MGTOW and the MHRM) is merely a reaction to feminism can be dismissed. Post-gynocentric culture can’t be reduced to antifeminism any more than the black civil rights movement can be reduced to being anti-white, or the gay rights movement being reduced to anti-heterosexuality.
These are grossly oversimplified rationalizations — more symptomatic of cultural prejudice and backlash than credible explanations for the counterculture’s existence. It may, however, be said that the drumbeat of reductionism characterized by these misperceptions adds momentum to counterculture’s popularity.
Sources:
Howard P. Chudacoff, The Age of The Bachelor: Creating an American Subculture.
Peter Wright, Gynocentrism and its Cultural Origins
Peter Wright, A Voice for Choice
Paul Elam, What feminism is really about and why anyone who values freedom should fight against it
Paul Elam, Counterculture
Dean Esmay, Breaking the pendulum: Tradcons vs. Feminists
Dean Esmay and Paul Elam, On the MHRM, MGTOW, and Creating a Counter-Culture
August Løvenskiolds, Freedom from gynocentrism in 12 Steps
Source
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