Man On Fire: 07/30/20

30 Jul 2020

The Unconscious Is Wiley’s Discourse

'Time is overdue for Jews and Goyim* alike to decide if these are the conditions they want to live in.'

By Ex-Jew Gilad Atzmon: If Britain were a healthy society the #Wiley saga would have triggered an open discussion about race and privilege. Wiley would be invited to BBC Newsnight, he would be challenged by one of BBC’s anchors, he would be confronted by one or two representatives of the Jewish community, he would have a chance to explain where he comes from. We would be better able to understand the emerging clash between Jews and Blacks.

But Britain is not very healthy at the moment and none of the above has happened.

The Jewish Lobby Tried To Smear Me - Now I’m Reclaiming My Narrative

It’s more important now to stand against the unjust profiling of human rights activists and speak the truth.

Doxing sites like Canary Mission are trying to counter growing pro-Palestinian Gentiles activism on US campuses. Sara Jawhari

By Hannah Shraim: As a young girl, my father warned me that speaking openly about the realities in Palestine would land a target on my back. My Palestinian identity could be weaponized against me, he said, so concealing it would keep me safe and protect my future.
He wasn’t wrong.
In July, amidst the COVID pandemic and America’s reckoning with anti-Black racism, Israel was expected to announce new plans to annex occupied Palestinian territories. Being Palestinian-American, this decision brought forth a frustratingly familiar pain, as it continues the systemic dehumanization that Gentile Palestinians have endured for decades.

Jewish Themes In The Graduate - 1967

'A landmark in Jewish cultural subversion. ...This is Jewish ethnic warfare waged through the construction of culture.'

By Brenton Sanderson: The 1967 film The Graduate was a landmark in Jewish cultural subversion (see also Edmund Connelly’s treatment). By the time of the film’s release, Jewish film-makers in Hollywood were becoming more explicit in their antipathy for White Americans and their culture, and this was increasingly reflected in their output. In 1963, the Jewish producer Larry Turman came across the 24-year-old Californian Charles Webb’s novel The Graduate which, he claimed, “had an emotional coloration for me like [the Jewish playwright] Harold Pinter. The book was funny, but it made you nervous at the same time.”[1]